Starting from the dispute centered around « positivity of politics » and « negativity of theory », as it took place on the mailing list of the NextGENDERation — a European network of students and researchers in women’s studies - we investigate the ways in which the split between « thinking » and « doing » is among the key mechanisms that demarcate the knowledge production along the lines of race and gender. As generations of feminists have pointed out, the (...) dismissal of the knowledges of « Others » - women and ethnic peoples as theory, and the relegation of these knowledges to the category of « description », maintain a sexual and racial division of labour in favour of white intellectuals, and ultimately preserves the existing social relations of domination. We argue that the affirmation of feminist practices, and perhaps its re-politicization cannot afford to pass through the negation of theory. Instead, we urge, in the light of NextGENDERation’s feminist intervention at the European Social Forum in Florence, for a recuperation of feminist, antiracist and queer genealogies which would allow for new forms of feminist subjectivities on the one hand, and the furthering of feminisms as oppositional projects on the other. (shrink)

This article shows that Jacques Rivette’s film criticism recalls the Hegelianism of Catherine Malabou’s formulation of plasticity in The Future of Hegel. Enlarging the scope of a previous article on Hegel’s influence on Rivette (Douglas Morrey’s “To Describe a Labyrinth”), and taking a cue from Rivette’s distinction between analytic and synthetic directors (the latter being those who work on the dialectical bond between contingency and necessity, accidents and essence, the conceptual and the sensuous and so forth), I argue that Rivette (...) considered true auteurs only those directors capable of expressing through their films a specific kind of temporality (thus, by extension, of cinematic action) that is reminiscent of the self-dividing temporality which Malabou highlighted in her take on Hegel’s substance-subject (i.e. a temporality which already in Hegel’s own formulation subverted what Heidegger would later call, contra Hegel, “vulgar time”). This calls, among other things, for a revision of Rivette’s conception of mise-en-scène. (shrink)

This article aims to perform a reading of the Derridean notion of “democracy to come”. Taking this notion as a starting point, the author makes a deep reading of the problems of democracy with regard to its foundation and concept. Our hypothesis is that “democracy to come” allows Derrida to put democracy -as a resistance to any totalizing closure in the name of the common and the same- into an abyss. At the same time, we’ll interpret this notion considering its (...) links with sovereignty and unconditionality, understanding the latter as an infinite openness to otherness. (shrink)

The article reflects, 1) by way of introduction, on the ontological dimension of event, starting from a phenomenology of birth, as a key to a methodological widening of the exercising of reason and to a broadening of its subject-matter. With this aim, and as a whole, this article moves mainly through the thought of Claude Romano, also picking up precise commentaries of Paul Ricoeur's and Romano Guardini's. Then, it deals with the difference and the relation between "fact" and "event", briefly (...) analyzing the theme's anticipation in decisive instances of philosophical tradition, in which reason's competence is acclaimed . 3) Inasmuch as being born from and for event, concerns appropriately only the self [as I], an inquiry about the rigorous and non transferable conceptual meaning corresponding to the word "self"[as I] is carried out, starting from the experience of self: transcendental and existential. Event, inherent to the complete human dynamics, opens finitude up from top to bottom, and is, as such, transgression of the totality of existence in finitude ; this derives into the correlation of event, transfiguration of the world and exceptionality of the self as upcoming. 5) The mutual implication among ontology of birth, broadening of reason and expansion of freedom finally leads to reflect upon the enigma of ipseity, which is impossible starting from sameness and only eventual from alterity/otherness. The bond between alterity and birth raises the issue of the relation, as regards the [subject] arrived-at-the-world, between the history and his/her history. Being born and existing in the ontological dimension of event is to exceed every power of appropriation, self- as much as others'. In reference to the alterity of the immemorial and non appropriable past, birth opens the upcoming self up to a prospect further than any project, and in doing so, takes the base off future-to-come, to which no limit can be set for it belongs to the regime of event.El artículo reflexiona, 1) a modo de introducción, sobre la dimensión ontológica del acontecimiento, desde una fenomenología del nacimiento, como clave para una ampliación metodológica y temática del ejercicio de la razón. El conjunto de este artículo transita, para ello, principalmente a través del pensamiento Claude Romano, retomando también puntuales acotaciones de Paul Ricoeur y Romano Guardini. 2) Trata luego la diferencia y la relación entre "hecho" y "acontecimiento", analizando brevemente la anticipación del tema en instancias decisivas de la tradición filosófica, donde la competencia de la razón es exaltada . 3) Puesto que nacer desde y para el acontecimiento concierne propiamente sólo al yo, se indaga sobre el significado conceptual riguroso e intransferible correspondiente a la palabra "yo", a partir de la experiencia de sí: trascendental y existencial. 4) El acontecimiento, inherente a toda la dinámica humana, abre de punta a punta la finitud y, como tal, es transgresión de la totalización de la existencia en la finitud ; esto deriva en la correlación entre acontecimiento, transfiguración del mundo y excepcionalidad del yo, como adveniente. 5) La mutua implicación entre ontología del nacimiento, ampliación de la razón y expansión de la libertad conduce, finalmente, a reflexionar sobre el enigma de la ipseidad imposible desde la mismidad y sólo eventual desde la alteridad. El vínculo entre alteridad y nacimiento plantea la relación, en el venido-al-mundo, entre la historia y su historia. Nacer y existir en la dimensión ontológica del acontecimiento es exceder todo poder de apropiación, propia y de otros. Referido a la alteridad del pasado inmemorial e inapropiable, el nacimiento abre el adveniente a un porvenir más adelante que todo proyecto y, así, desfonda también el porvenir, al que no se puede poner límite porque está en régimen de acontecimiento. (shrink)

En el presente artículo nos proponemos abordar la dimensión crecientemente política en los más de treinta años de producción teórica de Judith Butler, entendiendo a Butler como unx teóricx políticx por derecho propio (Chambers y Carver, 2008) que desarrolla su propia concepción de política radical (Moya Lloyd, 2009). Aunque el foco suele estar puesto en el “giro ético” de Butler a partir de sus desarrollos sobre precariedad, sostendremos que hay un giro previo en la obra butleriana a partir de su (...) concepto de universalidad-por-venir: un “giro político” o “giro hacia lo político” a través del cual cierta diferencia ontológica entre lo político y la política ingresa en las tesis butlerianas. ¿En qué medida se puede afirmar que Judith Butler es unx políticx radical? Consideramos que sus críticas a la universalidad como trascendentalización de contenidos históricos y contingentes llevan a la teoría butleriana a un impasse en el que rechaza lo que su política requiere y que solo logra superar a su pesar: introduciendo la precari/e/dad, aquella condición socio-ontológica de apertura constitutiva, como su propio cuasi trascendental. (shrink)

L'appartenance de Dilthey, de Husserl et de Heidegger à la même tradition philosophique (la tradition «phénoménologique» au sens le plus large de ce terme) les mène à des analyses très semblables de la temporalité humaine. Néanmoins, chacun privilégie dans son analyse une seule des trois « dimensions » du temps: Husserl, le présent ; Heidegger, le futur ; Dilthey, le passé. Dans cet article, cette divergence est l'occasion d'une réflexion sur le temps humain qui cherche à dépasser la question de (...) privilège en combinant les résultats les plus importants de ces trois auteurs. (shrink)

De la pensee qui n'est plus metaphysique, Heidegger dit qu'elle est moindre que la philosophie, plus pauvre que celle-ci, precisement parce qu'elle ne se tient plus a la hauteur d'une pensee de la fondation et que, loin de pouvoir rendre compte d'elle-meme, elle est, dans sa finitude et son essence provisoire, tout entiere au service de ce a quoi elle repond, a savoir l'evenement meme de l'etre. Ce a quoi une telle pensee donne conge, c'est en effet a la structure (...) onto-theo-logique du discours metaphysique de la fondation, au profit de ce que Heidegger nomme, dans son dernier seminaire, une phenomenologie de l'inapparent. On ne peut guere s'autoriser de cette expression pour arguer, comme on l'a fait deja bien des fois, d'une derive vers la poetique ou la mystique de la pensee heideggerienne. Car cet inapparent ne renvoie a aucun arriere-monde, mais seulement a cette inapparence qui reside en tout apparaitre, a cet etre de l'etant que la philosophie au sens traditionnel de ce terme n'est parvenu a penser que sous la figure etante du fondement. C'est dire que ce que Heidegger nomme fin de la philosophie ne signifie nullement son aneantissement, mais ouvre au contraire la possibilite d'une appropriation plus authentique de ce qui a ete en question depuis le depart en elle. A la fin de la Lettre sur l'humanisme, Heidegger declarait: La pensee a venir ne sera plus philosophie, parce qu'elle pensera plus originellement que la metaphysique, mot qui designe la meme chose. C'est de cette pensee plus originelle, telle que Heidegger n'a cesse d'en preparer la venue depuis les annees trente, dont il est question dans les essais reunis dans ce recueil. (shrink)

Perhaps some readers find in this document a pessimistic vision of the future of science in the university in Mexico; but the certain thing, is that we wanted to approach with knowledge of cause and experience the future of science. One is not to guess or to foretell; we speculated on the manifest d..

Dans notre article, nous nous proposons d’étudier la désignation de la pensée du commencement-initial par Heidegger comme “le style de I’etre-homme à venir’ dans ses Contributions à la Philosophie (1936-1938). Nous traitons le rapport du “style” à l’historialité de la pensée et en particulier à la tonalité affective fondamentale de la retenue. Par la suite, nous soulevons la question du style dans l’art en retraçant l’origine du “style de la pensée initiale” dans la critique heideggérienne de l’esthétique et de (...) safondation métaphysique. Plutôt que témoigner de l’esthetisation de sa pensée, ce thème met en lumiere son projet de “destruction” de I’esthétique telle qu’elle a lieu dans le premier cours sur Nietzsche. Nous soutenons que l’analyse du grand style nietzschéen tel qu’il a lieu dans ce cours sert de filconducteurpour sa qualification de I’autre commencement de la philosophie de “style de pensée”. Par ailleurs, la réflexion des deux penseurs sur le motif du style témoigne de leur intérêt commun à la catégorie esthétique du sublime. Les Contributions à la Philosophie poursuivent ce motif à ses conséquences ontologiques ultimes.This paper focuses on Heidegger’s designation of inceptive thought (anfängliches Denken) as the “style of the being-human that is to come” in his Contributions to Philosophy (1936-38). Its relation to historicity and the ground attunement of retention (Verhaltenheit) will be discussed. The question of style in art will then be raised by tracing back the “style” of inceptive thinking to Heidegger’s critique of Western aesthetics and its metaphysical foundation. Rather than witnessing the “aesthetisation” of the thought performing the “leap” beyond metaphysics, this motive brings forth his project of “destruction” of aesthetics as it takes place in the first lecture course on Nietzsche. This article claims that the analysis of Nietzsche’s grand style (grosse Stil) in this very course serves as the leading thread in his repeatedallusions to the “other inception” in philosophy in terms of a “style of thought”. Moreover, the reflexion on the style in both thinkers reveals an interest in the aesthetic category of the sublime. Heidegger’s Contributions to Philosophy leads this motive to its ultimate ontological consequences. (shrink)

For a half a century, Claude Lévi-Strauss multiplied statements about the demographic situation of humanity and its anthropological consequences. Those statements, often seen as shocking, were interpreted as a kind of aberration which defied rational understanding. Current opinion held was that the analysis of such idiosyncratic ideas overstepped the competence of anthropologists and historians. In fact, as shown in my text based on newly discovered archival materials, quite the opposite is true. Firstly, Lévi-Strauss became interested in demography very early in (...) his career. Secondly, his conception of demographic trends and their effects was based on scholarly knowledge. Thirdly, far from being an idiosyncratic extravagance, his demography corresponded to widely shared concerns, central to the cultural policies of UNESCO, in which Lévi-Strauss was involved as Secretary general of the International Social Science Council (from 1952 to 1961). These facts are necessary if one is to grasp the cosmological outlook underlying the works of Claude Lévi-Strauss. The principles of Lévi-Straussian cosmology, in which demography plays an important role, are not reducible to the axioms of his structural theory. Without taking this cosmological infrastructure into account we are unable to correctly understand the moral message that Lévi-Strauss endeavoured to deliver, which concerned the extreme dangers humanity could face in the near future. (shrink)

Why it is better never to come into existence Not coming into existence would be good, since existence has no net advantage over non-existence. Indeed, the presence of pain is bad, and the presence of pleasure is good for every existent. However, an equivalent symmetrical consideration does not apply to the absence of pain and pleasure. Indeed, the absence of pain is good even if there is no one to experience that absence, while the absence of pleasure is not bad (...) if there is nobody to be deprived of that pleasure. The argument just presented forms the core of the article, along with other considerations about the preferability of not bringing children into the world, the quality of human life, the unreliability of subjective judgments about one's existential condition, the preferability to phase human extinction. (shrink)

Gilbert Simondon ’s work is devoted to the act of knowledge as a specific human experience, common to all the specialized fields. It is a departure toward infinity, an opening to nature, which emerged as soon as philosophy was discovered in Greece. This movement of individuation is rooted in the pre-individual, in the flux of life.

Este escrito presenta la relación entre democracia, entendida como referente de futuro y la filosofía como anelante de ese futuro por venir. Derrida, que tuvo parte fundamental en la concepción de la institución cosmopolita de la filosofía, vio como aquella, la demo­cracia, no sería posible sin ésta, la filosofía.

Este escrito se propone pensar el papel de las imágenes y de la «invención» en el proyecto de la Unidad Popular. Si la inventiva, como forma de entender el trabajo colectivo, surge en distintas iniciativas de la UP que buscan mejorar las condiciones de vida de los trabajadores, a la vez que intentando legitimar el proyecto socialista al consolidar sus logros y su capacidad de funcionar como alternativa a los modelos de producción capitalista, la invención en tanto «combinación original de (...) rayos imitativos» (Tarde) opera en paralelo como una forma de asociatividad inédita promovida por el proyecto popular y, en esa medida, las trayectorias y relaciones que suscita son menos lineales que lo que las imágenes, entendidas como mecanismo de captura y fijación representacional, permiten entender. Es por esto que el artículo se propone pensar otros modos de narrar la Unidad Popular en los que las imágenes funcionen como máquinas o «agenciamientos maquínicos» (Guattari), esto es, como registros de lo múltiple que emergen dentro de una formación social compleja y en constante mutación. Para ello, el texto conecta dos hitos de la UP que inscriben la invención como un eje articulador de la redefinición de lo social: la colección «Nosotros los chilenos», de Quimantú (1971-1973), y el edificio UNCTAD III (1971-1972). (shrink)

In an age where diversity is increasingly accepted as a value as well as a fact, ethico-political cosmopolitanism should propose a notion of global unity that is composed of rather than imposed on difference. Jacques Derrida and Walter Mignolo offer different versions of this view of cosmopolitanism. Derrida’s version is based on his notion of “democracy to come”. He characterizes this notion as an “unconditional” or “quasi-transcendental” injunction. Mignolo castigates this injunction as an “abstract universal”. He offers instead “a critical (...) and dialogic” view of cosmopolitanism that is based more speci cally on the “colonial difference” or “border thinking” of Latin American subaltern groups. I argue that Derrida’s many implicit and explicit references to “voices” suggest a third alternative. This contender avoids certain problems in Derrida’s and Mignolo’s otherwise compelling views of cosmopolitanism. It also retains the universality of Derrida’s unconditional injunction but on the basis of the sort of worldly immanency urged by Mignolo’s border thinking. (shrink)

Système nouveau de la philosophie et de son histoire passée, présente et à venir, La Vérité captive-De la philosophie est une oeuvre neuve, en son contenu comme en sa langue : La Vérité captive construit un édifice de Sens, et abolit, par voie de Pensée, toute distinction artificielle entre la foi et la raison, entre la littérature et la philosophie. L'ouvrage propose une relecture intégrale de l'histoire autour d'une ontologie trinitaire, tout en soulignant avec lucidité l'âge critique de l'" (...) outre-modernité " dans lequel l'humanité s'est enfoncée à force de donner créance à " l'immanentisme ". Maxence Caron remonte aux origines historiques conceptuelles qui ont pu ouvrir la crise de l'idéologie contemporaine croyant avoir accompli la vocation de la pensée en l'assignant au dogmatisme relativiste. Aspirant la totalité de la pensée en un fort mouvement apocalyptique et messianique, dans une langue littéraire renouvelée, d'une tonalité à la fois classique et paradoxale, Maxence Caron entend mettre en évidence les raisons profondes d'une conflagration historique dont l'originalité et l'ampleur n'ont pas été soulignées, et ne suscitent çà et là que plaintes réactionnaires alors qu'elle mérite d'être pensée en son fond et sa source. Prenant appui sur l'ère même qu'inaugure ce livre, la pensée est dite désormais indéfectiblement ouverte, depuis son intériorité même et par sa logique intrinsèque, à la Révélation du Principe. S'initiant d'un trait d'apocalypse et s'achevant sur un poème mystique, La Vérité captive expose le Système et le regarde simultanément jaillir de l'histoire de la philosophie. L'ensemble bouleverse tout repère stylistique et initie une nouvelle voie, finale. Ce livre souffle du fond des ères et, remontant à l'origine apodictiquement transcendante de tout acte de l'esprit, ouvre de mettre fin aux errances de la pensée. (shrink)

Este artículo ofrece un análisis y un comentario general de los dieciséis estudios que componen el libro compilado por Enrique Hülsz Piccone, Nuevos ensayos sobre Heráclito, el último compendio de investigaciones sobre la filosofía del Oscuro de Efe so, donde se reúnen las actas del Segundo Symposium Heracliteum celebrado en junio de 2006 en la Facultad de Filosofía y Letras de la UNAM, ocasión en la que algunos de los especialistas más reconocidos de la comunidad internacional se reunieron para presentar (...) sus trabajos sobre Heráclito. This article aims to analyze and discuss the sixteen studies that compose the book edited by Enrique Hülsz Piccone, Nuevos ensayos sobre Heráclito, which is the latest compendium of studies on the philosophy of the Obscure of Ephesus. This volume gathers the proceedings of the Second Symposium Heracliteum held in June 2006 at the Facultad de Filosofía y Letras, UNAM, where some of the most renowned specialists of the international community came together to present their work on Heraclitus. (shrink)

Este artículo busca presentar una discusión sobre el concepto de progreso moral kantiano. Primero, evaluaremos el sentido general que posee éste, buscando con esto situarlo dentro del contexto de la filosofía de la historia. Seguido, examinaremos cómo ha sido abordado dentro de algunos opúsculos de filosofía de la historia de Kant; allí veremos que tal concepto comúnmente decanta en la idea de avance, gracias al mejoramiento de las disposiciones naturales o al perfeccionamiento de la moralidad. Si bien, lo anterior resulta (...) de suma importancia, consideramos que el debate podría potencializarse dejando de lado cuál disposición es la que finalmente se torna perfectible, esto considerando que avanzar y ubicar fines morales supone además un juicio reflexionante, concepto desarrollado en la Crítica del discernimiento, el cual desde el presente nos permite interpelar y plantearnos un futuro. (shrink)

Enthusiasm, a project launched in 2002 by the artists Neil Cummings and Marysia Lewandowska, inventories hundreds of films created by amateur filmmakers in Poland from the 1960s to the late 1980s. On the basis of this previously unavailable film archive, the two artists have elaborated a network or stratification of narratives – concerning a certain mode of collective film production and distribution, a visualization of socialism as lived from within, and a transmission of historical-political enthusiasm. This essay attempts to highlight (...) the link – palpable in the exhibitions of the project both in Europe and America – between such an enthusiasm and a conception of cinema as a historical vestige in a process of perpetual becoming, from the Russian avant-garde of the 1920s all the way to certain recent artistic productions by Lewandowska/Cummings as well as Pierre Huyghe or Douglas Gordon, via the filmic works of Jean-Luc Godard and Chris Marker. (shrink)